[H432.Ebook] Free Ebook Understanding Emotions, by Keith Oatley, Dacher Keltner, Jennifer M. Jenkins

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Keith Oatley and Jennifer M. Jenkins’s best-selling book on the psychology of emotions is the most highly regarded and engaging text for the emotions course. While retaining its interdisciplinary breadth, historical insights, and engaging format, this new edition adds the expertise of outstanding researcher and dedicated teacher Dacher Keltner. The second edition has been thoroughly updated to reflect the latest research and developments in emotions and includes the following features:

• 
  
• Cohesive synthesis of evolutionary and cultural approaches to emotion
  
• New chapters on communication of emotion, bodily changes, and appraisal
  
• Increased emphasis on interpersonal implications of emotions, including studies of newly discovered expressions and systems of communication
  
• New coverage on moral judgment, individual differences, gene-environment interactions, and positive emotions
  
• New coverage of subjective well-being and pro-social emotions like gratitude and compassion
  
• Updated references throughout reflect current research and data, including research on affective neuroscience
  
• A new design and pedagogical features include new integrated boxes that depict historical landmarks and historical figures, updated tables, boldfaced terms, and end-of-chapter summaries.

An Instructor’s Manual with lecture notes and teaching tips is available upon request. Please visit www.blackwellpublishing.com/oatley.

• Sales Rank: #752186 in Books
• Brand: Brand: Wiley-Blackwell
• Published on: 2006-03-14
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x 1.20" w x 7.50" l, 2.24 pounds
• Binding: Paperback
• 510 pages

Features

• Used Book in Good Condition

Review
“This new edition is as delightful and informative as its predecessor. It includes the important advancements in research made over the past 10 years, and carries the clear fruits of its enlarged authorship.” Nico Frijda, University of Amsterdam

“Understanding Emotions provides an admirable theoretical integration of empirical research and, at the same time, makes emotion research relevant to our everyday lives. It is the perfect book for both undergraduate and graduate-level courses on emotion.” Batja Mesquita, Wake Forest University

From the Back Cover
Keith Oatley and Jennifer M. Jenkins’s best-selling book on the psychology of emotions is the most highly regarded and engaging text for the emotions course. While retaining its interdisciplinary breadth, historical insights, and engaging format, this new edition adds the expertise of outstanding researcher and dedicated teacher Dacher Keltner. The second edition has been thoroughly updated to reflect the latest research and developments in emotions and includes the following features:

• 
  
• Cohesive synthesis of evolutionary and cultural approaches to emotion
  
• New chapters on communication of emotion, bodily changes, and appraisal
  
• Increased emphasis on interpersonal implications of emotions, including studies of newly discovered expressions and systems of communication
  
• New coverage of moral judgment, individual differences, gene-environment interactions, and positive emotions
  
• New coverage of subjective well-being and pro-social emotions like gratitude and compassion
  
• Updated references throughout reflect current research and data, including research on affective neuroscience
  
• A new design and pedagogical features including new integrated boxes that depict historical landmarks and historical figures, updated tables, boldfaced terms, and end-of-chapter summaries

An Instructor’s Manual with lecture notes, chapter outlines, and multiple-choice test questions available upon request. Please visit www.blackwellpublishing.com/oatley.

About the Author
Keith Oatley is Director of the Cognitive Science Program, University of Toronto. He is the author of more than 130 scholarly articles and seven books, including Emotions: A Brief History (Blackwell, 2004), and two novels.

Dacher Keltner is professor of psychology at University of California at Berkeley, and the author of more than 80 scholarly articles and one book. He received the 2000 Templeton Positive Psychology Prize for Excellence in Research, and two university-wide teaching awards at UC Berkeley.

Jennifer M. Jenkins is Professor in the Department of Human Development and Applied Psychology at the University of Toronto. She is co-editor, with Keith Oatley, of Human Emotions: A Reader (Blackwell, 1998). She now heads a large research project on gene-environment interactions in children.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Decent textbook
By Amy Zolla
While it had what I needed, it was very dry for a text. It was useful, but could have included more first hand research and data - I definitely expected more from such a large psych text.

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Sheet music 1943 5p. 12.00x9.00 VOCAL PIANO MUSIC

• Sales Rank: #3698285 in Books
• Published on: 1943
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[D599.Ebook] Download Ebook Unbearable Lightness: A Story of Loss and Gain, by Portia de Rossi

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In this searing, unflinchingly honest New York Times bestseller, actress Portia de Rossi shares the truth of her long battle to overcome anorexia and bulimia while living in the public eye, and details the new happiness and health she has found in recent years—including her coming out and her marriage to Ellen DeGeneres.

Now in paperback, the New York Times bestselling memoir from Portia de Rossi explores the truth of her long battle to overcome anorexia and bulimia—“an unusually fresh and engrossing memoir of both Hollywood and modern womanhood” ( Los Angeles Times, 5 stars).

In this groundbreaking memoir, Portia de Rossi reveals the pain and illness that haunted her for decades, from the time she was a twelve-year-old girl working as a model in Australia, through her early rise to fame as a cast member of the hit television show Ally McBeal. All the while terrified that the truth of her sexuality would be exposed in the tabloids, Portia alternately starved herself and binged, putting her life in danger and concealing from herself and everyone around her the seriousness of her illness.

She describes the elaborate rituals around food that came to dominate hours of every day and explores the pivotal moments of her childhood that set her on the road to illness. She reveals the heartache and fear that accompany a life lived in the closet, a sense of isolation that was only magnified by her unrelenting desire to be ever thinner, ever more in control of her body and the number of calories she consumed and spent.

From her lowest point, Portia began the painful climb back to a life of health and honesty, falling in love and marrying Ellen DeGeneres and emerging as an outspoken and articulate advocate for gay rights and women’s health issues. In this remarkable and landmark book, she has given the world a story that inspires hope and nourishes the spirit.

• Sales Rank: #38792 in Books
• Published on: 2011-07-05
• Released on: 2011-07-05
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .90" w x 5.50" l, .65 pounds
• Binding: Paperback
• 320 pages

From Publishers Weekly
De Rossi, star of such television shows as Ally McBeal and Arrested Development, reads her memoir of life in the spotlight and closet, her struggles to conceal her homosexuality and eating disorder, coping with burgeoning fame, and meeting-and marrying-Ellen DeGeneres. Her voice is girlish, slightly nasal, and clarion; she takes us through her darkest moments with astonishing frankness, allowing shame and vulnerability to creep into her voice. She seems to be confessing rather than merely reading. It's a deeply affecting performance-save for some hammy vocal characterizations. An Atria hardcover. (Nov.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
“Anorexia was my first love,” de Rossi declares in her memoir of her early Hollywood career and the eating disorders that went along with it. Her unflinching self-portrait depicts a cripplingly self-conscious young Australian in LA overwhelmed by the pressure to be thin. Never comfortable in her own skin, a by-product of her status as a closeted lesbian, de Rossi was sure if she ever gained weight (or came out as being gay), the shooting star she’d been cultivating would turn to lead. Weight loss was the key that allowed de Rossi to feel powerful and in control, until dieting became a sickness that nearly killed her and devastated her family. De Rossi’s story and words are not revolutionary, but they are frank, brave, and revelatory of the unhealthy trends that stardom can generate. Although more development of de Rossi’s happy ending (her eventual complete recovery, self-acceptance, coming-out, and marriage to Ellen DeGeneres) would be welcome, the book succeeds as it’s intended: a journal of her sickness and a provocatively sad love affair with dieting. --Annie Bostrom

Review
“Written with artistry, compelling insight and lucid frankness, [Unbearable Lightness] offers solid hope and inducement to initiate the odyssey toward self-knowledge and acceptance.”
—The New York Times

“A stark, well-written portrait of how De Rossi lost control of her life as she became consumed by her struggle for perfection and acceptance.”
—Washington Post

“In prose as simply elegant—and as powerful—as a little black dress, De Rossi weaves together three themes—the impact of a loving, but lonely girlhood as the child of a single mother, the corrosive effect of constant doubts about her appearance and the internal struggle over her sexuality.”
—Los Angeles Times (5 star review)

“De Rossi’s attention to detail is hypnotic.”
—USA Today

“The blunt, pity-free matter-of-factness with which de Rossi shares secrets and lies about her eating disorders and her sexuality makes this forthright confessional story at once shocking and instructional, especially for younger women who may be secretly suffering on their own.”
—Entertainment Weekly

“De Rossi artfully draws the reader into the tension of a life lived in secrecy...her story is a cautionary tale, an inspiration, and a triumph.”
—Publishers Weekly

“An unflinching self-portrait...frank, brave, and revelatory.”
—Booklist

“Breathtakingly honest, brutal and beautiful.”
—Jonathan Safran Foer

“De Rossi tells her story with genuine insight and unflinching honesty. You will cheer her on.”
—Jeannette Walls

“De Rossi’s memoir reminds us that fame and celebrity are no substitute for feeling comfortable in one’s own skin.”
—Jodi Picoult

“Quite possibly the best book on the subject ever written…. It will serve as life-changing inspiration for many.”
—Augusten Burroughs

Most helpful customer reviews

171 of 191 people found the following review helpful.
honest and moving
By Amazon Customer
As the previous reviewer has pretty much summarised the entire book (!) I'll just say that this is an honest, moving and well written account of a dark time in Portia's life. It was hard to read how she brought herself close to death, keeping herself on a tiny allowance of calories and strenuous exercise (in high heels at times). I know Hollywood expects women to be thin, but I was saddened to read her accounts of costume fittings - where she was humiliated for being anything other than 'stick thin'.

I loved the story about meeting Ellen in 2001 at a concert, when Ellen invited her over to her house along with other guests. Portia thought she was just being polite, but it turned out that Ellen had only invited the other people over so she would have the excuse of a party to invite Portia. So Ellen was stuck with having to entertain all those people that night!

I think coming out as a lesbian in Hollywood is still a risky move (how many others are there? not many) and Portia is an inspiration to other women who are coming to terms with their sexuality and trying to live their life honestly. Well done Portia, from a fellow Aussie :)

0 of 0 people found the following review helpful.
Intense inside look; a lasting impact
By alicn26
Page turner but narrower scope than I expected. Inside look at eating disorders, not much focus on author other than that...very interesting though and well done

Update:
Weeks later, I'm upgrading my review from 4 stars to 5 stars because the message of the book lingered in my mind for weeks after I read it... ultimately leading me to reevaluate the way I see my own body and how I arbitrarily forced myself to maintain a size 2-4 at 5'6", without considering the toll on my energy, strength, and overall health and vitality. While the book wasn't the read I was expecting, its impact on me was far greater than I expected. I've stopped being so strict with myself about what I eat or how much I exercise and I've started seeing myself as a strong, healthy, attractive woman rather than trying to compete with teenagers' still-growing bodies. I'm happier, more confident, less anxious, and more energetic... I even think better in problem solving situations and experience less depression. I'm currently a size 6 and think I look just as good, if not better than I did as a smaller size.

88 of 99 people found the following review helpful.
Well written, just not a recovery book at all
By Music Moves Me
Portia is an amzing writer. Her tale is gripping, captivating, and horrifying at the same time. This book reads like a page-turner and most readers will really enjoy the journey that she takes you on.

I also think it is a timely and true tale of how the influences of the media, Hollywood and the "thin-ideal" have come to dominate the way women feel about their bodies, that we are never "good enough" the way we are, and that we should always be comparing ourselves to others. In that way, I think that almost every woman will be able to relate to her story, eating disorder or not. But if you have ever had an eating disorder, you will recognize the triggers she writes about, and her story's darkness will be very familiar.

For those who are looking for help in these pages for their own eating disorder, what I will say is that this is NOT a book that really encourages recovery, I mean it is obviously an encouragement to live a healthy life, but you won't find helpful recovery advice or direction here - just so you know. As another review states, recovery is almost an afterthought in this book. So, be careful if yoou are sensitive to books that trigger. I am not discouraging buying the book, but I just think it makes a helpful review to know what you are and what you are not getting. As someone who has "intimate knowledge" of living with anorexia and bulimia, I will say that this is like looking in the mirror. Family memebers who don't understand the pain may also find it enlightening.

If you are looking for books to take you to the next step and point you toward recovery, or if you have a family member with anorexia or bulimia symptoms but is still very thin, I HIGHLY recommend to book "100 Questions and Answers about Anorexia Nervosa" by Dr. Sari Fine Shepphird. It is the best, most helpful book I have in my collection and I have been reading books about eating disorders for 15 years. If you want to know more about eating disorders like anorexia, it's so helpful. I also want to recommend "Crave: Why you binge and how to stop" by Dr. Cynthia Bulik, if you are looking for a book specifically about Binge Eating, on the opposite end of eating disorders.

Thank you, Portia, for your honesty. People need to see how this disorder ravages lives but that there is also life after an eating disorder.

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After a sailing ship breaks up on the rocks off Washington's storm-tossed Cape Flattery, Nathan McAllister, the fourteen-year-old son of the lighthouse keeper, refuses to believe the authorities, who say there were no survivors. Unexplained footprints on a desolate beach, a theft at the trading post, and glimpses of a wild "hairy man" convince Nathan that someone is hiding in the remote sea caves along the coast. With his new friend, Lighthouse George, a fisherman from the famed Makah whaling tribe, Nathan paddles the fierce waters of the Pacific--fishing, hunting seals, searching for clues. Alone in the forest, Nathan discovers a ghostly canoe and a skeleton that may unlock the mystery of ancient treasure, betrayal . . .and murder.

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• Sales Rank: #454769 in Books
• Color: Multicolor
• Brand: Avon Books
• Published on: 1998-07-01
• Released on: 1998-07-01
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .52" w x 5.13" l, .31 pounds
• Binding: Paperback
• 208 pages

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• Great product!

From Publishers Weekly
In this intense adaptation of Hobbs's suspenseful novel set in 1874 Washington state, 14-year-old Nathan MacAllister uncovers a chilling murder-mystery involving a greedy sailor and members of a local Native American tribe. As the son of a lighthouse keeper, Nathan is accustomed to the storm-ravaged desolate life on Cape Flattery. He has adopted the ways of the Makah Indians as well, learning to fish and hunt under the tutelage of a family friend (and Makah) Lighthouse George. But when a clipper ship sinks just off the cape, Nathan wonders if it's true that there were no survivors. After all, who could be spying on the Makah tribe and making strange footprints on the beach? The answers to these and other questions become all too clear when the mysterious "hairy man" John Kane arrives in the village, eager to find and peddle Makah artifactsAthe same artifacts Nathan has already discovered in a "ghost canoe," a sacred form of Makah burial. Gaines proves a versatile performer, gamely taking on roles of all ages, backgrounds and genders. Ages 8-up.
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
Grade 6-9. With characteristic skill, Hobbs blends together a number of elements to create an exciting adventure set in 1874 on Washington's rugged Olympic peninsula. Nathan, 14, tries to unravel the mystery of a shipwreck and the captain's murder. With Lighthouse George, a Makah fisherman, the boy paddles canoes on delivery runs to the damp, inhospitable island of Tatoosh, where his father is the lighthouse keeper, and on hunting expeditions for whales and seals. Curious about footprints found on a desolate beach near the shipwreck where all were supposedly lost, the boy explores the peninsula and encounters a shadowy figure brandishing a knife in a dark cave, a nervous local trader burying a small metal box, and a burial "ghost" canoe mounted high among tree branches facing the sea. When the boy's father receives a letter referring to a lost treasure map and the likelihood of foul play in the shipwreck, Nathan begins to piece together the truth. In a climactic scene, he is threatened by the murderer, and Lighthouse George and an eccentric village outcast come to Nathan's rescue. A gallery of good, evil, eccentric, and misunderstood characters teaches him the meaning of friendship and enriches his appreciation of another culture. Dramatic, vivid descriptions of the Pacific landscape and Makah lifestyle and customs create a rich backdrop for Nathan's adventures and discoveries. A winning tale that artfully combines history, nature, and suspense.?Gerry Larson, Durham Magnet Center, Durham, NC
Copyright 1997 Reed Business Information, Inc.

From Booklist
Gr. 6^-8. Hobbs really knows how to please his readers. This time he's created an exciting historical adventure touched with a real mystery and set in a remote, exotic locale. To that, he's added Spanish treasure, a nasty villain and his quirky companion, and lots of action. What a read! Fourteen-year-old Nathan MacAllister helps his father tend a lighthouse off the northwest coast of Washington State. When his mother's health fails, he moves with her to the Makah village on the mainland, hoping the slightly drier climate will speed her recovery. From the moment he arrives, it's clear that something strange is going on: the captain of a wrecked ship has been murdered, someone is hiding in the caves around the coast, money and supplies have been stolen, and there's a mysterious stranger around. As Nathan unravels the puzzling goings-on, he discovers that he has endangered himself. As always, Hobbs delivers well-developed characters and a plot that never falters. Here, he also provides a respectful view of Indian life through Nathan's eyes. Chris Sherman

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12 of 12 people found the following review helpful.
From a parent's point of view, Will Hobbs has another hit
By A Customer
First off, this review will be somewhat biased as Mr. Hobbs was a teacher of mine three years in a row. If the love of reading is a fire, Mr Hobbs is the spark. He kindled the desire to read in countless children during his years as a teacher, partly because he knew us so well, and that is what makes him such a terrific author in his current work- he knows what will get kids to read and keep them reading. My children both read his books, and I read most everything that they read, just to stay in touch with what they are doing. I actually enjoy reading Mr. Hobbs' books as much as they do, the characters are real, the experiences are fresh, and the stories are enough to make me dream of my own youth. I recently moved to the Seattle area, and have explored the area in which Ghost Canoe is set. Mr. Hobbs has done a marvelous job of capturing the mood and mystery of this beautiful corner of our world. His portrayl of the Macaw tribe is true to life (as it was) and helps shed some light on the recent events in their tribe. That alone makes this book a great read for just about any preteen.

6 of 6 people found the following review helpful.
If you like to read to your children, you'll love this book.
By A Customer
A chapter a night, that's all it takes. With the punch of London's "White Fang" or Gary Paulsen's "Winterdance", Hobbs' "Ghost Canoe" has captured the imaginations of my seven and nine year-old children. The historical and cultural lessons are a bonus for the kids (and me) in this fast-paced action adventure. Indians, war canoes, whales, robbers, shipwrecks, lighthouses and more, it's all stuff kids and their Dad's will love. Having grown up in the Northwest and being familiar with many of the locations, this book was especially fun for me.

5 of 5 people found the following review helpful.
Ghost Canoe
By A Customer
Ghost Canoe is an awesome adventure and mystery rolled in to one story. The unique setting and the suspense of the story keep you very anxious to read on. You will never want to put it down! I liked the way the author included the Makah Indian Tribe in it. I also enjoyed the way Lighthouse George talked in the Makah Indian language. "Hyas clutus, Tenas Mac, it is very bad." That was my favorite quote in the book because that is what made Nathan want to go into the woods to look for clues. Also that made Nathan find the canoe in the woods, which was my favorite part. When you want a good book to read, check out Ghost Canoe by Will Hobbs!

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Techniques based on the method of modal expansions, the Rayleigh-Stevenson expansion in inverse powers of the wavelength, and also the method of moments solution of integral equations are essentially restricted to the analysis of electromagnetic radiating structures which are small in terms of the wavelength. It therefore becomes necessary to employ approximations based on "high-frequency techniques" for performing an efficient analysis of electromagnetic radiating systems that are large in terms of the wavelength. One of the most versatile and useful high-frequency techniques is the geometrical theory of diffraction (GTD), which was developed around 1951 by J. B. Keller [1,2,3]. A class of diffracted rays are introduced systematically in the GTD via a generalization of the concepts of classical geometrical optics (GO). According to the GTD these diffracted rays exist in addition to the usual incident, reflected, and transmitted rays of GO. The diffracted rays in the GTD originate from certain "localized" regions on the surface of a radiating structure, such as at discontinuities in the geometrical and electrical properties of a surface, and at points of grazing incidence on a smooth convex surface as illustrated in Fig. 1. In particular, the diffracted rays can enter into the GO shadow as well as the lit regions. Consequently, the diffracted rays entirely account for the fields in the shadow region where the GO rays cannot exist.

• Sales Rank: #571863 in Books
• Published on: 1988-06-30
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 8.25" w x 3.00" l, 6.65 pounds
• Binding: Hardcover

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0 of 0 people found the following review helpful.
A great second handbook
By Laar
This is a reprint of the first edition. It follows the format of most antenna handbooks. It stands out for its excellent list of references and extensive theory section. Like all handbooks it does not replace a good book on antenna theory and another on antenna measurements.

This book and Johnson and Jasick make a very good set for the antenna engneer's book shelf.

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• Sales Rank: #5047365 in Books
• Published on: 1996-09-25
• Original language: English
• Number of items: 1
• Dimensions: 1.94" h x 8.09" w x 10.83" l,
• Binding: Hardcover
• 524 pages

Language Notes
Text: English (translation)
Original Language: Italian

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• Sales Rank: #3081556 in Books
• Published on: 2008-04-23
• Binding: Hardcover

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Gerhart Hauptmann (1862-1946) is generally considered a pioneer of modern drama. He was praised by Rilke, Thomas Mann, and James Joyce among his contemporaries for his versatility, innovativeness, and realism. This Nobel Prize-winning author is here represented by three of his best-loved plays.

• Sales Rank: #2108894 in Books
• Brand: Brand: Continuum
• Published on: 1994-12-01
• Released on: 1994-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .57" w x 5.50" l, .76 pounds
• Binding: Paperback
• 324 pages

Features

• Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: German

From the Back Cover
Here the English speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Plays included are: Before Daybreak, The Weavers, The Beaver Coat.

About the Author
Reinhold Grimm is on the board of The Germany Library and lives in Riverside, CA.

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The most powerful characters in two universes collide as DC's premier super-heroes meet Marvel's. Collected in a gorgeous two-volume oversized slipcased hardcover is perhaps the most eagerly anticipated and memorable crossover of all time, as the Justice League of America unites with The Avengers. Superman, Batman, and the other members of the JLA join forces with Captain America, Iron Man, and the many other Avengers to fight a threat so immense it threatens two entire dimensions. The second hardcover in this deluxe set features art and articles chronicling this historic crossover--which has been over twenty years in the making.

• Sales Rank: #828070 in Books
• Published on: 2008-11-18
• Released on: 2008-11-18
• Original language: English
• Number of items: 1
• Dimensions: 10.20" h x .36" w x 6.63" l, .72 pounds
• Binding: Paperback
• 208 pages

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85 of 103 people found the following review helpful.
Summit Conference.
By Michael F. Hopkins
Picture the one great meeting a superhero reader would enjoy,
and many an enthusiast across the decades will tell you that
a book featuring the best characters from both DC and Marvel
Comics would be a fan's delight.
Those fortunate enough to be enjoying the comics of the past
few years know that Marvel -thanks to Editor-In-Chief Joe
Quesada- has not only been putting out some of their best
efforts in 25 years, but has been in a cooperative mode
with DC which is unlike anything that either company has
shown towards the other.
The ultimate payoff can be summed up in one phrase - JLA/
AVENGERS: THE COLLECTOR'S EDITION by Kurt Busiek
and George Pérez! Those who thought this pair to be
superb in the recent AVENGERS ASSEMBLE will find their
work on this summit conference to be utterly exceptional.

Pérez, the original artist slated to render this historical meeting
in the early 1980s, finally gets to do his dream project, and
all who suffered through the corporate nonsense which
derailed this book for over 2 decades will be thrilled to
learn that JLA/AVENGERS was well worth the wait. Not only do
we have the finest all-around illustrator of Sequential Art
since Jack Kirby at the heart of his game, but now the pictures
have one well-told, meticulously written story which more than
brings the art forth with stunning eloquence.
Beginning his career at Marvel in the 1970s, and establishing
his degree of excellence in helping to forge the DC juggernaut
which defined much of the 1980s, Pérez offers sheer delight in
his stunning, unerring depictions of each and every character,
in every type of action sequence, adventure motif, and
quiet interlude imaginable.
When you see body language as distinctive as one's
facial expression, a capsule history of the many costumes
worn by The Wasp, or the changes endured by the indomitable
Henry Pym, you know it's George Pérez at work. No one else
would be wild enough to try that! Always game, the artist
continues to be one daring adventurer.
Busiek, having proven his depth at depicting superheroes with
topical pertinence and adventurous zeal, has the time of his
life here. A proven master at drawing upon the Thomas/Englehart/
Stern runs to produce a rich AVENEGERS legacy all his own,
Busiek wastes no time in delving into the deep pockets of DC
continuities forged by Julius Schwartz, Gardner Fox, John
Broome and more across the span of some 65 years, showcasing
a tale from one who has placed his own stamp on superheroics
as he has done with MARVELS and, even more significantly,
ASTRO CITY.

Producing a masterpiece which all but defines the term, Busiek
and Pérez deftly weave a colossal tale of parallel universes,
delicious time/space dilemmas, all that's at stake, and how
the best must overcome even their own suspicions of one
another's style to prevail against all odds.
The authors plays the myriad nuances of character play and
personality clash as only these narrative masters can,
magnifying the traditional focal points of each group.
Pinpointing the long-perceived differences between each
company's approach to superhero storyline, Busiek and
Pérez forge a magnum opus which celebrates the diversity
of the heroic ideal, and the vast contributions made by
both DC and Marvel to contemporary myth and folklore.

There is so much to recommend about this handsome slipcased
hardcover 2-volume set. For those who want the story of
what happened to JLA/AVENGERS the first time around, we
get the skinny from each company in the second volume,
set for you to decide who told the truth, and who fumbled
the ball. Those who collected JLA/AVENGERS in its celebrated
mini-series form will be floored by its collection into
Sequential Novel form in Volume 1. Its larger size gives
the reader ample opportunity to fully appreciate just
how precise and imaginative Pérez really is.
Those who bemoan that the artist has "slowed down" because
he's not churning out multiple titles a month any more are,
quite simply, missing the point. The man who helped put
THE TITANS on the map, and brought WONDER WOMAN
to full fruition as a major icon, is far deeper, and far
more creative now than ever before.

Anyone looking at his colossal wrap-around cover for the
third chapter (Damn near featuring a century worth of
characters!) can see how he developed Tendonitis at
the time. That Pérez was able to overcome the stress,
bring it all together, and finish the project with his
finest work is a miracle, and provides some major
profile in courage, considering that Busiek's finest
characterizations of the saga strike deep in the final
chapter.
For all the eye-popping wonder of the saga's many battles
(The Mighty Thor mixing it up with a certain Man of Steel
is a particular must!), the ensuing dialogues are even
richer in dynamic content, and the contexts for each
moment prove to be staggering.
Picture Superman and Captain America having a quiet
confessional about what each is most afraid of, or
the munition-making Iron Man exchanging sensibilities
with the gun-despising Batman, and one begins to warm
to the task of tackling such a rewarding, sumptuous
read.
Many decisive conversations take place, and the creative
duo deliver the sheer drama & humanity of the tale in its
poignant reflections from people who will not be the same
at tale's end. Note the talk between loving couples,
knowing that victory will mean tragic personal loss,
and marvel at how each courageously arrives at the
decisions they feel compelled to make.

Watch for one particular conversation between two old
friends -both categorically deceased- discussing their
lives, their choices in living, and what they must do
even at the cost of having a second chance. Anyone
curious about why this idiom still holds so much wonder
and quality, even after years of hackery and corporate
disdain, are advised to read the talk between
one Barry Allen and one Hal Jordan, poised at the
most essential of crossroads.
If you don't know why such characters are so vital to the
legacy of the superhero, and the mandates of Sequential
Fiction for over 50 years, reading this sequence will
provide a sharp, clear, and moving education.

JLA/AVENGERS. The heroic ideal at its very finest.
Sequential literature that is not to be missed.

19 of 23 people found the following review helpful.
A worthy tribute!
By Iron Quinn
The boxed set comes with a second book which features art from and the story behind the ill-fated first attempt at this team-up. I remember feeling very bitter back then that company politics had derailed such a dream crossover. Now, however, I have to say I'm happy it happened. If the JLA/Avengers crossover had happened as planned the first time, would we have this treasure? Busiek was the perfect choice to capture the wonder, the history, the majesty and the personalities of these two teams. Perez remained the perfect choice to visualize it.

In fact, company favoritism seems completely absent from this story. Busiek uses a pure fanboy approach to realistically address the situation. Sure the JLA big guns are more powerful than their Avengers counterparts. But the Avengers are no stranger to being underdogs and here, as they always have, they fight harder.

The story is well paced, mixing history from both companies, great dialogue, very humorous situations and, of course, the fights we want to see.

My only complaint is not a valid one. I wanted to see more of some of the characters. But with so many characters they could have easily made this story four times as long. Which would have been fine with me but perhaps not what the companies were looking for in a crossover event. My all-time favorite characters are Iron Man and Wonder Woman. They are prominent enough to make me happy.

I highly recommend the oversized hardcover boxed edition. This story, this art, deserves to be enjoyed in a larger, more vibrant format.

JLA Assemble!

20 of 26 people found the following review helpful.
Fun, Yet Frustrating
By Frank Adamson
The book starts off well enough, but by the end it dissolves into the kind of visual muck you might find in a "Where's Waldo" book. But let's start with the good. There haven't been many crossovers between DC and Marvel, and those that have come before Busiek's story have usually been of very questionable quality (I'm looking at you, DC Versus Marvel Comics). Busiek is a decent writer--probably one of the best B-List writers in superhero comics today--and during the first two and a half issues he manages to keep a pretty solid handle on the narrative.

The first two issues notify the reader that villains from the opposing universes are crossing over and causing trouble in their respectively alien worlds. Here is also set up what will be a short-lived quest narrative that sends the DC and Marvel heroes on a hunt for a dozen or so macguffins, during which the heroes (who have met many times in the aforementioned crossovers but seem to have forgotten this) get into brawls about who takes better care of their earth, who is more respected by non-powered civilians, and whose mother is ugliest. Superman and Captain America act like jerks for no good reason (though I recall it is explained by something concerning cosmological differences), and the JLA and Avengers simply go out of their way to find fault with the other party. Are they this rude when visiting superheroes on other planets in their own universes?

Issue three is the "mash-up" chapter, imagining what the DC and Marvel histories might have been like if they had enjoyed decades of regular and entertaining crossovers, rather than crossovers that were spotty and soul-deadening. At least, this is the first half of the issue. The last half is sparked by even more extreme rudeness from Superman and Captain America, leading to a realization that their universes were never meant to be this close together because of an inherent incompatibility. Insert meta-commentary here. Then the heroes are led to a moral dilemma which isn't really a moral dilemma (split the universes or be annihilated, which would you choose?), and is actually an excuse to have a multi-page spread of panels depicting the least enjoyable story lines from both publishers over the last few decades.

Issue four, by all rights, should have been the ultimate cosmic climax of any superhero narrative. Here we have the two greatest superhero teams from the two greatest comic publishers, fighting the villain who pridefully caused the greatest destruction ever in the DC universe, in his citadel built on the bones of one of the greatest Marvel villains. Instead we are treated with an all-out brawl featuring a constantly shifting cast of heroes against an bizarre cast of lesser villains. Don't these villains wish to prevent their own annihilation? I guess not. The big villain is defeated in a disappointing occurrence that can only be likened to a child demolishing a skyscraper with a pebble.

Parts of the story are thoroughly entertaining: the imagined history of team-ups, a bit of the commentary by the heroes about the opposing earths, Krona's wager, Metron's interference, the delicious art by George Perez. These things keep my review at three stars.

Still, the deficits are galling. Why is Krona still drawn like a blue pudgy man? Why do the heroes need to hate each other at the start and then switch to brown-nosed fawning at the end? Why is Krona's ultimate cosmic weapon so easily destroyed? Why did every single member of the JLA and Avengers have to make an appearance, including multiple versions of the same character, when sticking to just the "present" versions would have made for a more readable and enjoyable story? Still, kudos to Busiek for remembering that The Phantom Stranger was once a JLA member.

All in all, it's a fun read, but probably not worth paying full price to read.

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